QUEEN ELIZABETH 335
Condition reports and provenance available upon request
About This Work
In *Queen Elizabeth 335*, Sunday B. Morning revisits the iconography of British monarchy through the lens of Pop and post-Pop appropriation. Using the crisp mechanics of screenprint—flat chromatic fields, hard-edged registration, and a deliberately “manufactured” surface—the artist reanimates the familiar royal portrait as a contemporary sign: instantly legible, endlessly reproducible, and newly ambiguous. The work’s serial logic and high-key colour disrupt the authority of official imagery, inviting readings that oscillate between homage, critique, and consumer spectacle. By translating sovereign presence into graphic currency, Sunday B. Morning positions Elizabeth II within a global visual economy shaped by mass media, branding, and cultural memory—an incisive contemporary art statement with enduring cultural relevance.
About the Artist
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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Contemporary Art • Hampstead, London
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